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[2016]
2017 OSCAR 89th Academy Awards -Filem gay (homoseksual) menang best picture Emm
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asyik citer psl best actress jek
bakal calon2 best actor, supporting actor tak de nk komen ? 
cassey affleck , nate parker, joel egerlton , ryan gosling
bosan lak calon2 
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Edited by cyclops_psycho at 21-9-2016 12:19 AM
dauswq replied at 21-9-2016 12:07 AM
asyik citer psl best actress jek
bakal calon2 best actor, supporting actor tak de nk komen ? :fle ...
Kann..bias sgt!! Hahaha
Nk wat cam mana, dah best actress lebih suka dibincangkan compare to best actor..lg pun calon2 utk best actress kali ni antara yg plg sengit dan takde clear winner sgt berbanding beberapa thn yg lepas.  |
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dauswq replied at 21-9-2016 12:07 AM
asyik citer psl best actress jek
bakal calon2 best actor, supporting actor tak de nk komen ? :fle ...
Ckp psl best actor..I can forsee Casey Affleck tu boleh mengungguli kategori ni..trailer pun nmpk gempak. Tom Hanks for Sully boleh consider gak tp aku x tgk lg Sully even dah masuk pawagam...maybe weekend nk pi tgk. Calon lain, maybe Andrew McGarfield for Silence.
For supporting, aku hrp Oscar kali ni akan jd milik pakcik Liam Neeson melalui Silence. Tak sabar tunggu trailer filem ni kuar.
P/S: kalau both Andrew and Emma menang Oscar mesti gempak giler. Even dh clash dia org still support each other. |
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untuk supporting actress...
jangan lupa Kristen Stewards pun ada banyak filem yang bagus di tahun 2016
certain women
cafe society
personal shopper
Billy Lynn's Long Halftime Walk
manalah tahu tahu tup tup menang GG atau oscar ke?
dah lah tahun lepas dia snup GG dan Oscar.....tahun lepas banyak menang critics..tapi yang tercalon supporting actress kt GG dan Oscar... |
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casey affleck pun dah lock untuk calon best actor...dan harap dia menang...
tgok trailer pun gempak...suka scene masa dia nak bercakap dengan anak buah dia ..
lakonan seorang pak cik yang ambil berat kat anak saudara |
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tapi kalau dah memang layak untuk menang nak buat macamana...
dulu kalau dengan hillary 2x
ni entah2 kalah dengan Natalie 2x
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Julia Roberts sungguh lah tak layak untuk menang Best Actress..
menang pun atas dasar populariti je...
Ellen Bustyn lebih layak menang..
Halle berry pun sama...masa itu aku rasa Sissy Spacek layak menang best Actress In The Bedroom
pelik macamana boleh menang...lepas tu terus menjunam dan semua filem lakonan selepas tu semua flop
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filem La La Land ni,....mengingatkan Aku filem moulige Rouge
menang kat GG best actress Musical/comedy
SAG - Kalah
Oscar - Kalah
BAFTA - tak tercalon
nicole Kidman tercalon oscar...tapi x menang pun kan |
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calon2 best Actress kali ni mmg hebat2..
lagipun selalu dalam mana mana anugerah pun untuk kategori best actress yang paling di tunggu2..
best actor pun sama juga
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Curtis Hanson: Oscar-winning writer and director dies at 71
Image copyright AP Oscar-winning writer and film director Curtis Hanson has died at his home in Hollywood at the age of 71, police say. According to a police spokeswoman, he died of natural causes. A report said he had retired in recent years due to Alzheimer's.
Starting as a writer for the magazine Cinema, he later won an Oscar for best adapted screenplay for LA Confidential.
He also directed Eminem's Detroit hip-hop movie 8 Mile.
Officers visited Hanson's home for a "death investigation" and he was pronounced dead at the scene, the Los Angeles Police Department said.
Hanson, born in Reno, Nevada, began screenwriting and directing in the early 1970s, but it was only in 1992, with The Hand That Rocks the Cradle, that he found success.
He went on to direct The River Wild with Meryl Streep and Kevin Bacon in 1994, and Wonder Boys with Tobey Maguire and Michael Douglas in 2000.
In 1997, he co-wrote the screenplay for LA Confidential, adapted from James Ellroy's novel about crime in 1950s Los Angeles.
On Twitter, Bacon said: "So sad to hear about Curtis Hanson. great director. great man. Riding that river with him was one of the greatest gigs of my life."
Most recently, he directed the HBO film Too Big To Fail, about the financial crisis.
His final project was 2012 surf movie Chasing Mavericks, with Gerard Butler and Elisabeth Shue. However, Curtis dropped out during filming due to an undisclosed illness and was replaced by Michael Apted.
Eminem paid tribute to the director in a statement, saying: "Curtis Hanson believed in me and our crazy idea to make a rap battle movie set in Detroit.
"He basically made me into an actor for 8 Mile. I'm lucky I got to know him."
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Cafe Society, Sully dah siap donlod. malam ni nak tgk. |
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'Visaranai' is India's official entry to Oscars 2017
The film, based on police brutality, is selected in the Foreign Language Film category.
Tamil film director Vetrimaran’s Visaranai has been selected as the official entry to Oscars 2017 in the Foreign Language Film category. The film, based on police brutality, had bagged three National Film awards. Visaranai, produced by Dhanush’s Wunderbar Productions, and based on M. Chandrakumar’s novel Lock Up, has already received international accolades, including at the 72nd Venice Film Festival, before its theatrical release.
A pleased Vetrimaaran confirmed to The Hindu that he had indeed heard from the officials about the submission. The movie was chosen out of 29 contenders, said secretary general of Film Federation of India Supran Sen. The other Tamil films to be officially selected in the past for the Oscars are Jeans, Indian, Kurithipunal, Devar Magan, Anjali, Nayagan, Deiva Magan. The 89th Academy Awards event is scheduled for in February 2017 in Los Angeles.
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rebiuu sket
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nmpk mcm filem india ni pun bukan calang2 penyertaan
mgkn filem2 asia ni akn berebut slot antaranya spt salesman (iran) , ma rosa (pinoy)
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Sully download kat mana?
DVDSCR ke?
aku xjumpa lagi larrr filem Sully ni..
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Best Actor
Casey Affleck, Manchester by the Sea
Tom Hanks, Sully
Joel Edgerton, Loving
Dev Patel, Lion
Ryan Gosling, La La Land
Chris Pine, Hell or High Water
Miles Teller, Bleed for This
Logan Lerman, Indignation
Joe Alwyn, Billy Lynn's Long Halftime Walk
Coming Soon:
Denzel Washington, Fences
Andrew Garfield, Silence
Andrew Garfield, Hacksaw Ridge
Matthew McConaughey, Gold
Best Actress
Emma Stone, La La Land
Natalie Portman, Jackie
Ruth Negga, Loving
Amy Adams, Arrival
Meryl Streep, Florence Foster Jenkins
Rebecca Hall, Christine
Rooney Mara, Una
Annette Bening, 20th Century Women
Kate Beckinsale, Love & Friendship
Coming Soon:
Viola Davis, Fences (or supporting)
Jennifer Lawrence, Passengers
Taraji P. Henson, Hidden Figures
Supporting Actor
Aaron Eckhart, Bleed for This
Hugh Grant, Florence Foster Jenkins
Lucas Hedges, Manchester by the Sea
Jeff Bridges, Hell or High Water
Ben Foster, Hell or High Water
Steve Martin, Billy Lynn's Long Halftime Walk
Coming Soon:
Liam Neeson, Silence
Kevin Costner, Hidden Figures
Supporting Actress
Kristen Stewart, Billy Lynn's Long Halftime Walk
Naomie Harris, Moonlight
Michelle Williams, Manchester by the Sea
Molly Shannon, Other People
Sarah Gadon, Indignation
Coming Soon:
Viola Davis, Fences
Octavia Spencer, Hidden Figures
Nicole Kidman, Lion
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joyah tetap ade dlm senarai feveret 
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R.I.P. #OscarsSoWhite: Why 2017 Will Be The Most Diverse Awards Season In Decades
Eight movies with diverse casts and crews are vying for Oscar inclusion this year, and they're sure to upset the status quo.
Sep 26, 2016 3:01 pm
 “Moonlight”
Late September is usually far too early for definitive Academy Award predictions, but on this one I’m solid: This year’s film slate will inevitably yield an Oscars Less White.
Some small credit can go to the Academy, which pushed the diversity needle just a tad by adding twice as many new voters as last year (683, almost half of whom were women or people of color).
However, the most significant reason we’re unlikely to see a repeat of last year — when every single one of the 20 acting nominations went to white thespians — is the movies. Last year, films like “Beasts of No Nation,” “Straight Outta Compton,” “Concussion,” and “Creed” boasted diverse ensembles before and behind the screen, but they were less-than-Academy-friendly. In 2016, there are at least 8 films that present as strong awards candidates with diverse talent, and they are a far more formidable selection.
READ MORE: Oscars: Diversity Rules as Academy Unveils First Batch of Presenters
While actor-director Nate Parker’s “The Birth of a Nation” was considered an early frontrunner — indeed, Oscar perennial Fox Searchlight plunked down $17.5 million to acquire the Sundance hit in January — plenty of other options have emerged. (Not among them is Reginald Hudlin’s biopic “Marshall,” starring Chadwick Boseman as the young lawyer who eventually becomes Supreme Court Justice Thurgood Marshall, which will open in 2017.)
While some of these ultimately may not make the Oscar grade, check out the many nomination possibilities (listed in alphabetical order). The industry has a long way to go in terms of producing movies that reflect the world we live in, but at least this year’s Oscar voters have more from which to choose.
 “The Birth of a Nation” Fox Searchlight
“Arrival”
Assets: It’s true that while Forrest Whitaker does play a standard-issue government official in this alien visitation drama, the main cast and director Denis Villeneuve are white. But the film is gorgeous to watch, and its notable cinematographer is never-nominated Bradford Young (“Selma”).
Liabilities: Young’s resume is still a tad slim, and getting recognition from this branch often takes time. Roger Deakins (“Hail, Caesar!”) usually nabs a slot.
Nominations: Cinematography is always a competitive category, but this is a sumptuous-looking, well-designed studio entry, and Young’s stellar reputation is on the rise.
Read More: The Academy’s Diversity Problem Is Complicated
“The Birth of a Nation”
Assets: Given its electric Sundance premiere and record-breaking acquisition, “The Birth of A Nation” became the first entry in the 2016 Oscar race among all films. The Academy not only loves a true story well told (see: “Spotlight,” “Argo,” “12 Years A Slave”), but the #oscarssowhite controversy promised to shine an even greater light on Parker and “Nation.” Distributor Fox Searchlight has notched 13 Best Picture nominations in the past 12 years, more than any other company. They proved victorious with “Birdman” two years ago and positioned “Nation” as their top contender this fall.
Critics: Metacritic stands at 76%.
Liabilities: Where to begin? Parker’s narrative about spending 10 years developing this film about Nat Turner at the expense of his surging acting career (“Beyond the Lights”) is dwarfed by his Penn State college rape scandal. Parker and Searchlight tried to manage the damage by providing Parker for extended trade interviews back in August, but the hits kept coming with further damaging revelations, public backlash, and Parker’s own fumbles in trying to explain his behavior. Searchlight plowed aheadwith a planned Toronto press junket, where the violent slave rebellion played well ahead of its October 7 commercial release. Now they may have to settle for a movie that plays best for the African-American audience as opposed to a crossover Oscar player.
Nominations: If the movie opens with decent reviews, supporting actors such as Aja Naomi King and Armie Hammer might have a shot. However, the movie’s early pole position turns out to have been a negative; many Academy members view Parker as an upstart who has yet to earn credibility outside the acting ranks.
READ MORE: ‘The Birth of a Nation’ Press Conference: Nate Parker Dodges Rape Questions as Cast Invites ‘Uncomfortable’ Conversations In Toronto
 Viola Davis and Denzel Washington on opening night of “Fences” Rex Shutterstock
“Fences”
Assets: Denzel Washington’s past directorial efforts (“Antwone Fisher” and “The Great Debaters”) were well received. Expectations are high for August Wilson’s adaptation of his play, which Washington headlined opposite Viola Davis in the 2010 Tony-winning revival (like the film, produced by Scott Rudin). Both actors are reprising their roles as a couple in ’50s Pittsburgh.
Liabilities: It’s tough to adapt stage dramas for the cinema. And Paramount will be pushing this late in the season without a boost from the fall festivals; that proved a challenge for Ava DuVernay’s “Selma,” which launched at November’s AFI FEST. But “Fences” has the advantage of being a known commodity that will certainly be a must-see.
Nominations: Unless the movie is a complete dud, expect acting nods for Washington and Viola Davis.
 “Hidden Figures” 20th Century Fox
“Hidden Figures”
Assets: Twentieth Century Fox used the Toronto International Film Festival to introduce footage from “Hidden Figures,” a movie directed by Theodore Melfi (Bill Murray vehicle “St. Vincent”) starring Golden Globe winner (“Empire”) and Emmy and Oscar nominee Taraji P. Henson (“The Curious Case of Benjamin Button”) and Supporting Actress Oscar winner Octavia Spencer (“The Help”) and based on the true story of mathematicians working behind-the-scenes at NASA on the ’60s space race. That’s assuming that Elizabeth Gabler’s label Fox 2000 (“Life of Pi,” “The Devil Wears Prada”) lands a late 2016 release date and a studio Oscar campaign. So far, so good — the footage played well.
Liabilities: Late entries always have some catching up to do.
Nominations: If they score in their roles, popular Henson and Spencer are strong bets.
 “The Jungle Book”
“The Jungle Book”
Assets: Don’t count out one of the most popular films of the year, Jon Favreau’s Rudyard Kipling adaptation “The Jungle Book” (Disney). Like Ang Lee’s “Life of Pi,” the gorgeously wrought global blockbuster could emerge as a strong contender with support from all the crafts. Starring live-action child actor Neel Sethi, the film’s animated animals are voiced by the likes of Lupita Nyong’o, Idris Elba, and Giancarlo Esposito.
Critics: It’s at 77 on Metacritic.
Liabilities: The film’s April 16 release date is not ideal, as Disney will have to bring the mainstream adventure back into the minds of Academy voters, most of whom tend to prefer live-action to animated fare. Despite the film’s blockbuster status as a wide-audience movie that grossed $963.9 million worldwide, they may regard the hybrid “The Jungle Book” as an animated family film that doesn’t have sufficient gravitas. Sometimes being too successful can be a negative. (See: Honorary Oscar-winner George Lucas. He was nominated just four times, for writing and directing “American Graffiti” and for the original “Star Wars.”)
Nominations: The producers, directors, writers, editors, music, and visual effects branches should recognize Favreau and his team’s extraordinary accomplishments.
READ MORE: Idris Elba Remixes Two ‘Jungle Book’ Songs: Listen To His Version of ‘Bare Necessities’ & ‘Trust In Me’
 “Loving”
“Loving”
Assets: Focus Features launched the ’60s biopic at Cannes, where the heart-tugging Jeff Nichols drama emerged with Oscar buzz. “Loving” is a compelling true story boasting two acting contenders (Joel Edgerton and Ruth Negga) that opens up discussions on America’s fraught relationship with race.
Critics: So far it’s at 74% on Metacritic.
Liabilities: The indie movie is both small and, well, quiet. While many critics appreciate Nichols’ admirable restraint as a storyteller who pursues authenticity rather than manipulating audiences with dramatic swells, this could cost the movie in terms of playability with audiences and Academy voters.
Nominations: As a biracial couple fighting to express their love freely, the Academy actors branch should recognize well-regarded Joel Edgerton (who scored raves for supporting roles in Australian drama “Animal Kingdom,” Baz Luhrmann’s “The Great Gatsby,” and Scott Cooper’s “Black Mass”) as well as relative newcomer Irish actress Ruth Negga.
http://video-cdn.indiewire.com/previews/gyGzbVZL-PbCxl3wn
<iframe src="http://video-cdn.indiewire.com/players/gyGzbVZL-PbCxl3wn.html" width="320" height="260" frameborder="0" scrolling="auto"></iframe>
 “ Moonlight”: Andre Holland, Ashton Sanders, Mahershala Ali, Alex Hibbert, Tarell McCraney, Naomie Harris, Trevante Wright, director Barry Jenkins Daniel Bergeron
“Moonlight”
Assets: A24 introduced the indie drama, Barry Jenkins’ sophomore feature effort after “Medicine and Melancholy,” at Telluride and Toronto. Backed by Brad Pitt’s Plan B, which has delivered a string of Oscar-winners (“12 Years a Slave,” “Selma,” “The Big Short”), “Moonlight” has critics grasping for fresh adjectives to praise the drama based on Tarell McCraney’s play about a vulnerable young boy who turns into an angry teenager and later a beautiful black ex-con still hungry for love.
Critics: Unanimously hailed at 98% on Metacritic.
Liabilities: The small-scale Miami story comes from an indie filmmaker-on-the-rise as yet little known by the mainstream Academy. However, you could have said the same of Lenny Abrahamson’s “Room,” Steve McQueen’s “12 Years a Slave” and Benh Zeitlin’s “Beasts of the Southern Wild.” As A24 proved with “Room,” “Ex Machina” and “Amy” last year, it’s a question of getting on the voters’ radar, and the fall festivals have already amplified the early buzz.
Nominations: Emmy nominee and new Academy member Mahershala Ali (“House of Cards”) breaks out of the ensemble as a drug dealer who mentors the young boy, as does British actress Naomie Harris as the boy’s drug-addict mother. But this one has the right stuff to go all the way to Best Picture, director, and adapted screenplay as well. Critics will push this one, too.
http://video-cdn.indiewire.com/previews/Gr1g99uw-PbCxl3wn
<iframe src="http://video-cdn.indiewire.com/players/Gr1g99uw-PbCxl3wn.html" width="320" height="260" frameborder="0" scrolling="auto"></iframe>
“Queen of Katwe”
Assets: One of two runners up for the TIFF audience award (itself considered a prelude to Oscar contention) was Disney’s moving female-empowerment drama, directed by Kampala resident Mira Nair in the Uganda slums with a cast of local unknowns led by stars David Oyelowo and Lupita Nyong’o.
Critics: 73% on Metacritic.
Liabilities: Disney doesn’t seem to know how to market this crowdpleaser, which is more than a formula sports film. It opened soft. The studio needs to turn it into a must-see.
Nominations: Oscar winner Lupita Nyong’o could nab her second Supporting Actress nomination for her juicy role as a fierce mother trying to help her chess-playing daughter escape the slums.
“Lion”
 “Lion” The Weinstein Company
Assets: Weinstein Co.’s designated Oscar contender “Lion” hit big with audiences and critics in Toronto (it was the other runner-up to audience winner “La La Land”). Directed by Australian Garth Davis, the true-story tearjerker stars Dev Patel as a man using Google Earth to search for his long-lost family.
Critics: Right now the movie is at 61%, a tad lower than the usual Oscar contender. (Even anomaly “Crash” sits at 69%.)
Liabilities: This could become a ‘tweener, a four-hankie drama that plays well for mainstream audiences but doesn’t muster the kind of awards-group support it needs to compete. The movie tries to give Nicole Kidman (the lost Indian child’s adoptive mother) and Rooney Mara (the grown man’s supportive girlfriend) something to do, but they are window dressing for the real story, which Patel ably carries. He also delivered in British import “The Man Who Knew Infinity,” which was an unlikely arthouse hit for Bleecker Street ($3.8 million).
Nominations: While rookie director Davis (he’s best known for his commercials) does a superb job executing this drama, BAFTA nominee “Slumdog Millionaire” star Patel is the film’s best shot in a more mature role. BAFTA may also give the film a boost.
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Author
Post time 21-9-2016 12:13 AM
![[tvN/Netflix 2024] QUEEN OF TEARS - Kim Soo Hyun, Kim Ji Won, Park Sung Hoon](https://uf.cari.com.my/forumx/mforum/block/f6/f613b76788751ed27a22bff90355c844.jpg)