Post time 27-11-2018 01:49 PMFrom the mobile phone|Show all posts
NU'EST W-HELP ME OFFCIAL MV
Kalau dgr lagu ni ibarat Where You At dgn Dejavu bergabung bersatu giteww. Semuanya hensemmmmmm tapi iols paling terkesima dgn Ren, sebijik mcm anime character.
Iols dh dgr semua lagu dr album Wake,N ni. So far lagu dr Ren and Baekho mmg fav iols selain dr title track. Tak sabar nak tunggu album sampai tapi tengok unboxing kihno mcm lawa, mcm nak beli je kihno version
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unrelated tapi related. korang aware tak isu San E kat kuria sana? basically heols mock feminists (or generally, women) kat kuria dalam lagu Feminist, bila dah kena diss n kena maki secara berjemaah heols u-turn cakap lagu tu satire.
fast forward a few weeks later, BNM buat year end concert. mxm boys, woojin n daehwi pon ada n most of the audience pon memang 90% underage fangirls diorang. so fans buat petition so that San E tak join concert tu, tapi San E ada jugak n siap perform lagu tu. so audience protes la. San E pon mengamuk n the concert is cut short.
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in the end Rhymer terpaksa keluar minta maaf tapi heols tetap defend San E. patutnya dah tau orang tu tengah ada issue, tarik la dia keluar dari concert tu. boleh plak ko defend lagi jantan tak guna tu. seriously tak paham motif Rhymer ni.
Brand New Music’s CEO Rhymer came out and apologized in San E’s stead. Rhymer said, “I’d like to take the time to apologize if there were people who felt upset during the concert.” He emphasized, “All Brand New Music artists think different. Everyone can have their own thoughts, beliefs, and conscience. We will continue to protect their thoughts. Our music and thoughts may be different, but we are one.”
since earlier this year iols ada rasa semacam sikit ngan Rhymer. boleh nampak ciri-ciri pacit topi kepam YG pada heols bila heols asyik dok complain pasal w1 n buat interview untuk preach betapa bagusnya dia sebagai seorang ceo. then kes san e tu keluar, dia boleh lagi defend san e. i wasn't surprised at all la. moga bnm boys elok-elok jela pasni, jangan dok ikut perangai pelik sunbae diorang.
Kecewa jugak la waktu tu.. Iols okay la dengan dia bila tengok The Unit dulu tapi tak pernah dengar la lagu2 San E ni.. Nampak macam baik2 je.. Baru putus cinta kot ni.. Hahhaha.. Yang banyak datang tengok dorang punya concert haritu pun wannable dengan peminat MXM kan, haruslah ramai bebudak remaja belasan tahun.. Kerana nila setitik, rosak susu sebelanga..
Courting controversy : IZ*ONE found fame, but not everyone is happy. | AP
This year hasn’t been a particularly warm one for the relationship between Japan and South Korea. Ongoing tension stemming from Japan’s colonization of its neighbor up to the end of World War II — and efforts to complicate what happened during this period — have bubbled up once again, affecting everything from music to tourism.
But this week’s “2018 FNS Music Festival” year-end bonanza on Fuji TV reminded us that pop can help create bridges between the two countries. The program featured the Japanese TV debut of Izone (stylized as IZ*ONE and pronounced “eyes one”), a 12-member group featuring nine Korean performers and three Japanese singers coming from the AKB48 universe. This mix has generated some controversy in both nations, but scored record sales in South Korea and strong interest in Japan well before properly debuting there.
Izone came about because of a talent competition show that aired in Korea over the summer. “Produce 48” found the popular “Produce 101” series teaming up with J-pop idol establishment AKB48 to create a new group selected by viewers. It initially seemed like it would be another set of geopolitical pratfalls. From the start, Korean netizens slammed TV station MNET for working with AKB48.
And so it carried on: only those in Korea could vote; netizens dug up (extremely tame) dirt on Japanese members; Korean participants wore badges and used phone cases supporting “comfort women”; AKB48 couldn’t keep up with the dancing and singing skills of their Korean counterparts. Add to that predictable voting controversies, and the situation for Izone’s debut looked dicey — even before some called for the group to be banned from South Korean TV.
On Oct. 29, Izone released its debut EP in South Korea, setting a record for the most units moved in 24 hours. The video for the song “La Vie en Rose” performed just as well, with more than 34 million views at the time of writing.
And now the spotlight shifts to Japan, with the Fuji TV performance serving as the first step. Signs point to Izone doing well — the “Color*Iz” EP topped the Oricon charts the week it came out, despite not being the outfit’s proper Japanese debut. It helps that they have the AKB machine behind them in Japan, but they also appeal to listeners outside the usual J-pop idol demographic, as they also pull in younger people who gravitate to K-pop.
Just as importantly, Izone reminds us of the good pop can do for Japan and South Korea. While the history of entertainment between the two nations has been choppy, music and pop culture have also helped improve each country’s image of the other.
There will always be 2channers organizing protests of TV shows hosting K-pop acts, and Korean netizens threatening to throw acid on groups promoting too much in Japan. But there are plenty of people in the middle happy to hear what’s coming out musically from either side.
With the group set to release its Japanese debut full-length album in February, Izone will be an interesting one to keep an eye on.
latest news dia dah terminate contract dengan BNM dah. so selamat la BNM boys punya future. Rhymer pon patut paham bila nak buat bisnes idol ni tak sama dengan hip hop, idol salah sikit je kena hentam.
Post time 27-11-2018 01:49 PM
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