Ako Mustapha pun suara dlm Cardcaptor Sakura kan? Abang sakura....tp rasa aku awal2 je..sbb yg ujung2 tu sora da len.. Best gak! ehe flat dan sarcastic je
KUALA LUMPUR, 17 SEPTEMBER 2008: Bakat serta kredibiliti selebrititempatan nampaknya semakin mendapat tempat di hati beberapa saluranantarabangsa untuk menjayakan penerbitan filem bertaraf box-office dinegara ini.
Sempena tayangan perdana filem animasi dwi bahasa, Teenage Mutant NinjaTurtle (TMNT) yang akan disiarkan pada 28 September ini, saluran StarMovies (Astro, Saluran 413) mengambil peluang keemasan ini denganmenggunakan suara beberapa selebriti popular bagi versi Bahasa Melayufilem berkenaan.
Mereka adalah, Mawi, Aznil, Kieran dan Nabil Raja Lawak yang masing-masing memegang watak sebagai Leonardo, Raphael, Donatello dan Michelangelo iaitu4 wirawan penyu menerusi animasi superhero kegemaran ramai ini. Turutmembantu bagi menghangatkan lagi filem ini ialah jelitawan SarimahIbrahim yang memegang watak April O'Neil, manakala temannya, Casey pulameminjam suara Dafi.
TMNT versi Bahasa Melayu turut memperlihatkan kehandalan pelakonveteran Salih Yaccob yang akan menggunakan suara terlatihnya untukmenyuarakan watak Splinter, To Guru bijaksana bagi wira penyu-penyutersebut.
Sementara itu, penyanyi sensasi Zahid AF2 akan menyelami watak gelapsebagai Max Winters yang kejam manakala Ekin pula memegang watak Karai,ketua pasukan Foot Clan yang kekal setia terhadap Winters.
Suara-suara terkenal lain termasuklah Dato' Jalaludin Hassan sebagaipencerita filem TMNT dan penampilan istimewa daripada Edlin (AF2),Zizan (Raja Lawak), Datuk Ahmad Tarmimi Siregar, Shawal, Nubhan, AwalAshaari dan ramai lagi.
Akan ditayangkan buat pertama kalinya pada 28 September ini, jam 10malam TMNT mengisahkan 4 penyu pencinta pizza - Leonardo, Raphael,Donatello dan Michelangelo, bergabung semula kala Max Winters adalahseorang usahawan jahat yang menghidupkan sekumpulan tentera yangterdiri daripada raksasa purba.
Turut sama dalam perjuangan mereka kali ini adalah sahabat lama kumpulan penyu tersebut, April O'Neil dan Casey Jones.
Ulangan TMNT dwi bahasa, Melayu dan Inggeris akan ditayangkan pada 11Oktober 2008, jam 11 malam, 12 Oktober (3.15 petang), 16 Oktober (9.30malam), 25 Oktober (1.15 petang), 28 Oktober (9.30 malam) dan 10November (1.20 petang).
Kepada penggemar siri animasi Upin&Ipin yang ditayangkanmenerusi saluran TV9, suara kepada dua karakter tersebut ialah seorangkanak-kanak perempuan berusia sembilan tahun.
TATKALA meninjau bilik rakaman yang berada di Tingkat Bawah bangunanLes Copaque Productions (LCP) Sdn. Bhd., Shah Alam, Selangor kelihatanseorang kanak-kanak perempuan comel begitu fokus mendengar arahan dantunjuk ajar daripada seorang pereka audio, Safrizan Mohd Razali.
Sesekali dia mengangguk faham, kadangkala tersenyum dan ketawa kecil.
Selepas memahami tugas yang perlu dilakukan, dia terus menghampirimikrofon dan melontarkan dialog dalam lima intonasi yang berbeza-beza.
Tanpa perasaan malu atau takut, kanak-kanak berusia sembilan tahun ini melakonkan suara latar dengan baik.
"Hai kawan- kawan, saya Upin, yang ini adik saya Ipin. Ini kisah kamiberdua iaitu, Istimewa Hari Raya. Hah, betul! Betul! Betul!," lakonempunya diri Nur Fathiah Diaz atau Teha yang menjadi suara latar bagikarakter Upin&Ipin yang popular ditayangkan menerusi stesen TV9.
Secara ringkasnya, Upin&Ipin merupakan siri kartun animasi mengenaipasangan kembar berusia lima tahun. Menerusi siri ini penonton dapatmenyaksikan bagaimana mereka menjalani ibadah puasa sepanjang Ramadanyang penuh dengan dugaan.
Tapi, Upin&Ipin amat bertuah kerana dibantu oleh opah dan kak Rossebagai pembimbing supaya mereka terus tabah menjalani ibadah puasa.
Banyak nilai-nilai murni, pengajaran dan elemen kampung untuk mengembalikan nostalgia zaman kanak-kanak.
PENGALAMAN menjadi suara latar Upin&Ipin banyak membantu NurFathiah mempelajari teknik menyampaikan cerita dan intonasi yang betul.
Keletah kembar yang begitu mencuit hati dan disusuli dengan pelbagaiadegan lucu membuatkan kartun animasi ini mendapat sambutan yangmenggalakkan daripada kanak-kanak hinggalah golongan dewasa.
"Ramai yang mengajukan mengapa Fathiah yang dipertanggungjawabkan watakUpin&Ipin, mengapa tidak kanak-kanak lelaki. Alasannya, seramai 20orang kanak-kanak yang hadir ke sesi uji bakat tidak memenuhi kriteria.
"Mereka tidak menjiwai watak dengan baik, berlakon seperti membaca teksdan kurang memiliki daya kreativiti yang boleh menonjolkan karakterUpin&Ipin yang comel. Fathiah sebaliknya. Dia bukan saja bijakberaksi malah berani, ceria dan mudah mesra dengan orang lain," tegasPengarah Upin&Ipin, Mohd Nizam Abd Razak.
"Seronok menyumbangkan suara dalam siri Upin&Ipin. Banyakpengalaman diperoleh dan pada masa yang sama membantu memberipengajaran mengenai kebaikan bulan puasa dan pengisian hari raya kepadapenonton.
"Tapi, Teha cuma berani berlakon sebagai suara latar berbanding dramakerana malu berhadapan dan dikelilingi dengan orang ramai," jelaspelajar Sekolah Kebangsaan Telok Menegong, Klang, Selangor yang ceriamenyarungkan baju-t Upin&Ipin berwarna hijau.
Di sebalik sifat pemalu itu, anak sulung daripada tiga adik-beradik iniberjaya merangkul tempat ketiga dalam pertandingan bercerita mewakilisekolah di peringkat daerah, Klang.
Tambah Teha yang bercita-cita menjadi doktor: "Pengalaman berlakonUpin&Ipin banyak membantu saya mempelajari teknik menyampaikancerita dan gaya intonasi yang betul.
Selain Fathiah, siri Upin&Ipin, turut diceriakan dengan karakteropah (Ainon Ariff), kak Ros (Noor Ezdiani Ahmad Fawzi), Rajoo (KannanRajan), Mei Mei (Yap Ee Jean), Ehsan (Mohd Syahmi Abd Hamid) dan Fizi(Ida Rahayu Yusoff).
Walaupun di televisyen kita menyaksikan setiap karakter bercakap antarasatu sama lain, realitinya proses rakaman suara (audio) dilakukansecara berasingan.
Ini bagi mengelakkan studio rakaman menjadi gamat dan tidak terkawalmemandangkan kebanyakan watak dilakonkan oleh pelakon kanak-kanak.
Jika proses rakaman kartun animasi yang lain dilakukan sambil melihatgerak-geri karakter (berjalan, berlari atau makan), tetapi produkanimasi keluaran LCP mempraktikkan gaya rakaman tersendiri.
Dalam proses ini, pelakon perlu menggunakan imaginasi dan kreativitiyang tinggi. Ini kerana mereka hanya berlakon bersandarkan skrip danmengikut panduan yang diberikan oleh pengarah dan pereka audio.
Di LCP proses audio dilakukan terlebih dahulu, sebelum beralih padaproses-proses yang lain. Sebab itu kumpulan pelakon berlakonberpandukan skrip, bukannya animasi yang tertera di depan mereka.
Biasanya proses rakaman suara diadakan pada hujung minggu.
"Selesai proses audio, kami meneruskan proses animasi yang menggunakanpengisian autodesk maya. Kumpulan pereka akan mengerakkan tubuh badandan mulut karakter supaya menyamai serta bersesuaian dengan dialog yangdiucapkan.
"Proses ini penting bagi memastikan pergerakan bibir dan dialogseiringan serta meletakkan emosi pada karakter. Jika pelukis tidakmempunyai idea untuk mencipta karakter berlari atau makan, salahseorang staf akan melakonkan gaya yang dikehendaki untuk rujukankumpulan animasi," terang Nizam.
Upin&Ipin berdurasi lima minit
Pengarah Urusan LCP, Burhanuddin Md Radzi menyatakan pada asalnya filemkartun animasi 3 Dimensi (3D), bertajuk, Geng: Bermulanya sebuahpengembaraan, merupakan produk sulung mereka. Bukannya siri kartunUpin&Ipin yang semakin digilai ramai.
Namun idea Upin&Ipin timbul pada awal tahun 2006 ketika sedangsibuk menyiapkan pembikinan siri Geng. Dek kerana bimbang sekiranyafilem yang membabitkan kos empat juta ringgit ini tidak mendapatsambutan yang menggalakkan, mereka mengambil keputusan mengeluarkansalah satu karakter untuk dikomersiolkan.
NUR FATHIAH mengakui seronok dapat menyumbang suara untuk siri animasi Upin&Ipin.
Melalui tinjauan, rata-ratanya orang ramai lebih berminat pada watakUpin. Jadi bagi menyuntik tarikan yang lebih efektif pada jalan cerita,mereka lahirkan pula watak Ipin.
"Perancangan komersiol akhirnya dapat direalisasikan apabila sayaterserempak dengan Ketua Pegawai Operasi TV9, Bukhari Che Muda, diCannes, Paris. Pada pertemuan tersebut beliau mencadangkan kartunanimasi yang durasinya selama lima minit.
"Sehingga kini masih ramai yang tidak berpuas hati menonton siriUpin&Ipin selama lima minit. Pernah juga diminta memanjangkantempoh siaran, tetapi kami masih kekal pada durasi yang sama supayapenonton tertunggu-tunggu episod yang seterusnya," tambah Burhanuddinyang menghasilkan karya dan dialog bersama isterinya, Ainon Ariff sertadibantu krew LCP yang lain.
Tambah Pengarah Teknikal LCP, Nazrul Hadi Nazlan: "Ketika episod keenamUpin&Ipin siri pertama yang disiarkan pada tahun lepas melonjaknaik kami berhadapan dengan masalah baru. Ini kerana dalam filemanimasi Geng, karakter Upin&Ipin bukanlah watak utama. Jadi kamiterpaksa mengolah skrip dan menukar plot baru yang menampilkan perananpasangan kembar ini.
Justeru kepada peminat setia, siri Upin&Ipin jangan ketinggalanuntuk menyaksikan episod raya istimewa yang bermula pada hari rayapertama hingga hari raya keenam, di stesen TV9, Dekat di hati.
tadi di tv3, rancangan remaja siarkan bidang alih suara dlm segmen refleksi. studio tu ialah ProAudio kat Bukit Melawati. derang yg alih suara Ultraman. 3 org pengacara gi terjah kerja derang, cuba satu adegan dlm Ultraman Max (kebetulan episod pagi nih!)
kita ke hal2 yg berkaitan.
atas bawah kucari, dapat pun sedikit info pengalih suara kita:
Irwan Isnin (http://www.facebook.com/people/Irwan_Isnin/707120948)"Irwan Isnin" ialah nama "suara Suneo" kita, tapi betulkah ini orangnya?(pipinya cam lain dr rakaman majalah 3 thn lalu) kalo ya die watpe katseberang tebrau?
[ Last edited by scorpio_mmiv at 23-11-2008 03:19 PM ]
SUARA lemak merdu Dayang Nurfaizah bakal melatari filem The Cheetah Girls versi bahasa Malaysia.
THE Cheetah Girls di Bollywood dan berdialog dalam bahasa Melayu!Bagi mendekati hati penonton tempatan, filem The Cheetah Girls: OneWorld telah dialih suara kepada bahasa Malaysia dan akan menemuiaudiens di saluran Disney (Astro 615) pada 28 dan 29 Disember ini,pukul 7.30 malam.
Artis tempatan seperti Dayang Nurfaizah, Hunny Madu dan KeetaBrennan telah meminjamkan suara mereka untuk versi Bahasa Malaysia inidan mereka masing-masing memainkan watak utama iaitu Sabrina, Aqua danChanel.
Dalam filem ketiga The Cheetah Girls ini, Chanel, Dorinda dan Aquaakan mengembara dari New York ke Mumbai, India. Di sana, merekamemperoleh peluang seumur hidup, untuk membintangi filem Bollywood.
Dengan lokasi penggambaran di bandar bersejarah Udaipur, Rajasthandan dihidupkan dengan muzik, tarian, warna dan kebudayaan India, TheCheetah Girls: One World bermula dengan cerita Chanel, Dorinda dan Aquayang menjalani uji bakat bagi persembahan baru serta bersedia untukmenjalani kursus persediaan di kolej dan kem tarian.
Apabila pengarah filem Bollywood, Vikram Bhatia, menawarkan merekawatak dalam filemnya, Namaste Bombay, trio ini mengembara ke Mumbai.
Apabila tiba di kota yang sibuk tersebut, impian mereka untukmenjadi bintang terkenal antarabangsa tergugat apabila Kamal, produserfilem memberitahu hanya terdapat satu watak yang ditawarkan.
TARIAN kebudayaan India menjadi unsur penting di dalam filem ini.
Maka mereka bertiga perlu bersaing antara satu sama lain untukmenjadi pelakon utama dalam filem tersebut. Bagi mendalami sedikitsebanyak pengalaman ketiga-tiga pelakon ini, ikuti petikan temu bualmereka yang disediakan oleh Disney.
"When I talk to animals, EVERY animal understands me. When animals talk, (chuckles) I, I am THE ONLY ONE who understands!" Rajoo bragged in front of his friends after his ox, Sapy, did a few tricks at his command.
It is easy to like Rajoo, one of the characters in Malaysia's first 3D animated feature film, Geng: Pengembaraan Bermula. The voice behind Rajoo, 13-year-old Kannan Rajan is a good voice-actor who brings out the straightforward yet friendly personality of the character.
"It was fun recording for the film. Abang Anas taught me so it made things easier. Sometimes I have to repeat the lines 10 to 20 times so that he can choose the best one," said Kannan, referring to Les' Copaque Productions creative director Muhammad Anas Abdul Aziz, the voice-acting coach.
Dressed formally in jacket and slacks, Kannan looked happy when met at 1 Utama Shopping Centre where the Geng roadshow was taking place. Sitting next to him was a petite Nur Fathiah Diaz, who is the voice of the film's cheeky five-year-old identical twins Upin and Ipin.
Ten-year-old Nur Fathiah, known as Teah to her friends, is a bubbly and energetic girl who warms up to you easily. Although a bunch of boys were auditioned for the roles of Upin and Ipin, Teah eventually made the cut with her animated voice.
"During the audition I was so shy. It was my first time. They asked me to 'act' and say Ipin's line 'Hmm, betul, betul, betul,' and I did it. I felt so shy then," said Teah, shrugging.
That line is became of the trademark lines in Upin & Ipin, Geng's spin-off TV mini series released two years ahead of the film's premier. As Teah's voice is used for both characters, the lines for Ipin are modified slightly on the computer to differ it from Upin's.
"It's fun when you are in the recording studio but the challenging part is when I have to scream, like the scene when Upin and Ipin swing like Tarzan in the jungle," said Teah.
"At home, I observe how my seven-year-old sister talks and my mum helps me as well." Both Teah and Kannan have been involved in the three seasons of Upin & Ipin so far and the Geng feature film. The makers of the productions decided not to hire celebrities to save cost, using instead personal contacts that are suitable for the characters.
"Rajoo was the hardest to cast. It was hard to get an Indian kid. With Kannan, we coached him to memorise the lines and emotions. He's really a dedicated actor," said animation director Muhammad Usamah Zaid, Teah and Kannan spend about four hours on Saturdays at Les' Copaque in Shah Alam for recording.
"Whenever we are tired we take a break, drink water and run upstairs to play computer games," said an excited Teah, who had won third place in a district level storytelling competition.
For these children, their families have been supportive of their involvement in the productions over the last two years. Teah, the eldest of three children, is born to an automobile technician and JAIS officer. Kannan's father is a crab seller while his mother is a homemaker. He is the middle of five children.
"My family members tell me to do my best in acting and don't be arrogant," said Teah.
"My parents asked me not to be naughty," Kannan added.
In school, life goes on as usual for them. Although they don't go around telling friends that their voices can be heard in cinemas nationwide (and possibly in other countries soon), they do have some people coming up to say nice things about them. Kannan's friends asked him how they can become a voice-actor as well and Teah's friends are supportive of her roles in the film.
"They say they will bring their families to watch the film," said Teah.
Although Geng is produced with a budget of RM4.7mil, a relatively low one for such a production, it aims to collect RM10mil. If not for the cost saving efforts in the production, we would not have known these two little gems in our midst. -BY YAM PHUI YEE
POPULAR Japanese seiyuu and singer Chihara Minori will be gracing the inaugural DaiCon, an event organised by the Emina club of Multimedia University, Cyberjaya. DaiCon will be held on July 11 and 12, 11am to 6pm, at the Grand Hall of Multimedia University, Cyberjaya. Chihara will give fans a mini-concert and will be part of a Q&A panel with fans. She shot to fame as Nagato Yuki in The Melancholy of Suzumiya Haruhi.
Emina will also be participating in a roadshow at the I Utama shopping centre (in Bandar Utama, Petaling Jaya) from May 1 to 3, 12pm to 8pm. Head over to 1 Utama Highstreet area to participate in cosplay photoshoots and view an exhibition of anime, manga and figurines. The Animax channel will also be there to give away freebies.
STUDY guides illustrated with cute, manga-esque female characters who explain the basics of subjects such as physics, chemistry and mathematics are selling well, giving rise to hopes among Japanese educators they will help stem the trend of young people turning away from the sciences.
Some doubt, however, whether such books will really help youngsters become more interested in the subjects.
The main store of the Maruzen bookshop chain in Tokyo Marunouchi district has on its third-floor shelves a selection of books introducing difficult physics subjects such as the properties of neutrinos and the principles of quantum mechanics.
Visitors are lured to the section by a selection of books with large, colourful illustrations of attractive young girls on their covers.
PHP Interface, a publisher known for its business books, published a study aid in October last year entitled Genso-shuki Moete Oboeru Kagaku no Kiso (The Periodic Table The Basics of Chemistry Learned Through Infatuation). In the book, attractive manga girls teach the periodic table by personifying the 118 chemical elements.
The company already has published 11 printings of the science Grammer, selling a total of 35,000 copies to date.
Fluorine compounds are used for coating frying pans, and in the books the apron-wearing character embodying the element tells readers, The fluorine coating repels water!
A 16-year-old high school student from Chiba Prefecture said of the language used in the books, Is well as the drawings, the (characters) lines also convey the properties of the elements.
Miyuki Mitsuda, a part-time instructor at Musashi Institute of Technology, was the chief editor of the books. He said he asked the illustrators to try to help readers comprehend the properties of the elements by simply glancing at the drawings of the books. Kochi cram school operator, Akihito Hamada, 47, said he always has copies at hand in class.
Manga drawings have been used in study books for many years. Hamada said, The cute illustrations of girls go down particularly well among female middle school students.
A manga book explaining quantum mechanics published by PHP Interface last month has already sold 45,000 copies.
Hiroshi Matsui, a 74-year-old chemistry teacher at a vocational school in Hiroshima Prefecture, said he felt the book is drawing in children who didnt get a feel for science from textbooks that focus on entrance examinations.
Ohmsha Ltd, a long-standing publisher of science and engineering books, has published about 20 books covering subjects such as calculus and Fourier analysis in its Manga de Wakaru Shirizu (Understanding through Manga Series). The series also features large front-cover illustrations of girls in maid costumes and other images typical of manga.
The most popular book in the series covers statistics. Maruzen reportedly sells twice as many copies of this book than any other title on the subject.
As Mio Murayama, a 32-year-old sales clerk at Maruzen Marunouchi store, explained, it is not only the drawings of pretty girls that are helping the books sell.
Some books barely sell at all, Murayama says. Thats because they donts have the content to go with the pictures.
However, Akito Arima, a former education minister and chairman of the Japan Science Foundation, is not wholly convinced of the books utility.
Arima said, if (the books) are used by people unfamiliar with science to introduce them to scientific concepts, then Is in favour of them using this kind of book.
People who really want to learn, though, should then study from try specialist books, Arima, 78, added. Yomiuri Shimbun / Asia News Network
Monument to mangaka
A TOKYO ward celebrated the achievements of manga giants such as Osamu Tezuka, Shotaro Ishinomori and Fujio Akatsuka by erecting a monument at the site where an apartment building where they lived once stood.
Tokiwa-so, which formerly stood in the Minami Nagasaki area in Toshima Ward, was home to many young manga artists keen to learn from their peers and attracted by the presence of Tezuka, who moved into the building in 1953.
Tokiwa-so was demolished in 1982 due to age, and new buildings were developed on the site. To celebrate the many famed manga artists who once lived there, many related municipalities, including Takarazuka in Hyogo Prefecture, Tezuka hometown, have built museums and memorials. Toshima Ward has held several manga-related events at local museums, but has never considered such a memorial until now.
Following a request from a local community association in December 2007, the ward decided to erect a monument at a cost of about 1mil (about RM229,935).
The monument, which was erected in a park near the Tokiwa-so site, was unveiled on April 4. It is 1.7m high and 1.3m wide and features autographs and self-portraits of 10 artists and a picture of Tokiwa-so prior to its demolition.
The top of the memorial will depict a miniature reproduction of the apartment building based on residents recollections.
there probably arents that many municipalities which have been fortunate enough to have such a collection of famous manga artists, a ward official said.
The ward hopes to differentiate its activities from other similar ideas by concentrating on the lives of the artists themselves, rather than focusing on the characters they created.
It also is considering the possibility of developing the Zoshigaya area to publicize the apartment where Tezuka lived after moving out of Tokiwa-so in 1954. - Yomiuri Shimbun / Asia News Network
siapa pnah tonton ISTANA TAKESHi??rasanya itu mutu alih suara antra yg paling hampeh...kelam kabut semacam:@ ..better guna suara asal dengan sarikata BM dibawah nye
137#HangPC2thx 4 sharing. tp kat bod ni kita bincangkan perosnaliti mesia...ade x pelakon sore mesia ke sana? kalau ye pun pelawat je.
tp apapun sy nak bincangkan pasal situasi industri anime kat jepun (dan salah satu sebab bidang alihsuara mesia beralih ke arah kartun omputeh)
industri anime Jepun sekarang dibelenggui produk2 yg terlalu Japan-centric dan disaduri adegan2 "hangit", pasaran pemuda deomstik makin merudum kesan demografi menua, ditambah lagi dgn kegiatan donlot dan fansubs oleh peminat tegar. banyak judul terlalu mementingkan budaya jepun sehingga sukar diterima msykt luar di walaupun boleh dialih suara. pasaran2 eropah spt perancis dan itali yg mendukung anime jepun selama lebih 40 tahun pun dah nak tergeleng2 kepala melihat kebanyakan judul terkini "too geeky", yg gemar pun cuma fansubbers, yg family-oriented pun rasa muak dgn aspek2 khusus budaya jepun, x macam citer2 robot gergasi dan adaptasi citer dongeng yg lebih universal. kat AS, Dragon Ball Z menjadi kegilaan suatu masa dulu, tp Naruto cam suam kuku je...mmg wujud permintaan utk anime yg japan-centric dan ganas2 tu sumer tp pasarannya "niche" jer...
di amerika syarikat pula, syarikat2 gergasi spt Disney dan Time Warner melakukan usaha utk mendekati hati penonton seantero dunia. jangan kata kartun tu utk bebudak, org dewasa pun tgk. tp apapun mesti "kena" dengan budaya2 luar tu. bukan sahaja banyak usaha dubbing, remaking, local shows, tp kartun yg dibikin oleh sykt amerika yg berganding bahu dgn studio animasi di dalam dan luar negara tersebut, direka agar wujudnya "universal appeal" yg boleh menarik ramai penonton tanpa perlu byk potong-memotong dan strategi pemasaran yg rumit. mula2nya pengedar ragu2 dgn potensi spongebob di jepun tp akhirnya menawan ramai rakyatnya....maka lengkapnya "universal appeal" si span petak kuning kegemaran ramai.
kalau ikut firasat saya, rasanya penonton kartun umum kat mesia dah nak muak dgn kebanjiran budaya asing dlm animasi import, jd inisiatif membikin kartun tempatan makin menjadi2. jadi lahirnya Upin & Ipin?
jd kengkawan, adakah anda menganggap SPONGEBOB, CATDOG dan WONDER PETS seperti kartun Mesia setelah wujudnya TV9? bila Astro perkenalkan audio BM, bolehlah ada ramai lagi melayan HANNAH MONTANA dan BEN 10 cam org kita. lepas DORAEMON, SHINCHAN dan CONAN tu sumer, susah ke nak layan animasi Jepun terbaru cam org tempatan walaupun dijadikan sama bahasa dgn penonton? seperkara lagi, kalau animasi mesia nak berkembang, lama2 kena world-centric agar x senasib cam industri jepun skrg.
KENALI ARTIS MUZIK JADI PENGALIH SUARA
file:///C:/Users/Tan/AppData/Local/Temp/moz-screenshot.jpgfile:///C:/Users/Tan/AppData/Local/Temp/moz-screenshot-1.jpg
JOHN OOMMEN (VOKALIS SILENTSCREAM - kumpulan indie Malaysia)
Able to comfortably do various voice overs in both English and Malay
Full Name:
John Samuel Oommen
Contact Number:
0122030200
Email: johnsamueloommen@gmail.com
Member Number:
140
Member Category: Member
Age:
25 years
Gender:
Male
Voiceover Experience:
1 years
Voiceover Languages:
* English
* Malay
Voice Category:
* Announcer
* Character
* Voice Prompt
Previous Voiceover Jobs:
Animation dubbing in Malay such as Supa Strikas (dr Afrika Selatan, TV2, 10 Episodes), Xiaolin Showdown (dr AS, Cartoon Network, 52 Episodes), Iron Kid (dr Korea Selatan, TV2, 20 Episodes) as well as English animation such as ABC Monsters and Jungle Friends.
Author
Post time 14-9-2008 12:17 PM
